advice amp articles audio chords compression compressor distortion download drums effect effects eq fender Free free audio plugin free vst plugin free vst plugins Freeware FX guitar help home recording instrument lessons Mastering Midi Mixing mp3 Music music quotes Music Quotes open chords piano plugin plugins reaper Recording reverb setup Software sonar synth synthesizer tab tips voxengo vst vsti xp

Search
Categories

Archive for the ‘Recording’ Category

Behringer BCF2000 and Sonar 7 underneath the bonnet

Behringer BCF2000 and Sonar 7 setup Pt 1Previous Article on how to setup Behringer BCF2000 midi controller and use it with Sonar 7.

This article deals with how to use the device in a bit more detail.

I’m going to go slow with this as I’m just getting to grips with it myself.

So let’s start simple.

You’ll already be familiar with faders and rotaries so let’s leave them for now and discuss the ‘function‘ buttons.

(Click on images to enlage)

Let’s look at the middle set of buttons:

The buttons above dictate which part of Sonar we can control.

A = Equalizer – This mode has 3 states -> E1, E1. and F1. (Press button to bring up each state.)

B = Track – This mode has 2 states – Tr and Tr. (Press button to bring up each state.)

C = Pan – This mode has  2 states – Pn and Pn. (Press button to bring up each state.)

D = Send – This mode has 2 states SE and SE. (Press button to bring up each state)

It’s worth running through all the different modes and having a look to see what’s what rather than me tell you how to work everything.

Personally I prefer working in Tr which is the first state in Track mode.

If you press the button twice it changes to ‘Tr.’

Note the period(full stop) after ‘Tr’ it occurs in all modes to differentiate between different states of control.

in ‘Tr ‘ mode you can control Sliders and Rotaries much the same as a standard mixeing desk.

Some people prefer using Pan mode.

Again it’s down to personal preference and how you intend to work.

Equalizer mode is set up to use Sonar’s built in EQ which you have to enable to be able to control.

To enable Sonar’s EQ,

If not already on view you’ll need to edit your display in track view,

Look in following image,

Click white triangle on ‘Display’ to bring up menu,

Add a tick next to ‘Eq’

You should now be able to see an extended ‘Track’ strip with the EQ at the top just above ‘FX bin’

You can now enable your Eq,

Click the Band Semi Circle Thing and it will light up green.

By double clicking on the area shown in the image below you will bring up Sonars built in EQ.

You can then enable each band, unfortunately in this mode The BCF2000 can only control 4 Bands and not the 6 on view.

Have a look at the above and find Shift 1 on your device

Using a combination of buttons we can control more of Sonar including Plugins.

Shift 1 + A = Dynamics(compressor) – This mode has 2 states -> D1 and D1.

Shift 1 + B = Plugins – This mode has 2 states – P1and P1.

In the next article I’ll go into more depth about Plugins and Dynamics mode as these require some more button presses and a fair bit of editing of your mackiecontrol.ini file.

In the meantime get comfortable with messing around in each of the modes.

Behringer BCF2000 and Sonar 7 setup Pt 1

Guide on how to setup Behringer BCF2000 with Sonar 7.

Just got this device for £50 from ebay and got to say it’s a cool bit of kit, but the setup can be quite painful.

Below is a walkthrough on how to get up and running with Sonar 7.

As I’m new to this device I’m going to go through each function in the order I approach them.

The follow on guides to this post will be in chapter form.

That way you can search this site for help with a specific function.

Below are some links to other sites and forums where I’ve found help and people I think it would be approriate to thank.

This guide is for USB setup only

First go to Behringer to download drivers and software.

You’ll need,

USB MIDI DRIVER (V1.2.1.3)

Follow the following in order.

Step 1.

Without connecting device to pc turn on whilst holding down button 4

(if you click images you’ll get larger view)

From the picture above you’ll see that in the LCD screen ‘NCSo’ image comes up.

This from what I can gather indicates Mackie Control under Sonar but that’s a guess.

Step 2.

Install driver (without connecting device!)

When software asks plug in your devices USB cable to the PC and wait.

Once the software installs device it will ask to restart system.

Step 3.

Start up Sonar and navigate to-> Options – Midi Devices

If you’re familiar with this then choose behringer device.

My setup shows three devices for input so I chose number 1.

Do this for output also.

(I will get screen shots for this as soon as I can)

Now navigate to -> Options – Controllers/Surfaces

This box will appear

korgsetup5

Click this icon

korgsetup6

This will give you a choice,

Under Controller/Surface choose -> Mackie Control

Input Port -> Behringer 1

Output Port -> Behringer 1

(again I’ll add more pictures when I can)

Before you start press the button marked ‘B

This will put the Behringer in ‘Track‘ mode and give you control of tracks 1-8.

You’re Behringer should now be in control of Sonars ‘Volume’ and ‘Pan’ faders and rotaries.

Using the preset buttons you can scroll through 8 banks of tracks at a time.

Have a mess around and take one thing at a time.

I’ll be posting some more guides as I go and will update this post with links along the way.

Links and Thanks:

Video guides courtesy of Blades85

Sonar Mackie Control Guide by FastBikerBoy

A post by Jesse G @ Sonar forums which are maybe a little more advanced but show the full potential of this device.

http://forum.cakewalk.com/tm.aspx?m=879930&mpage=1

With another post by FastBikerBoy following the same ideas,

http://forum.cakewalk.com/tm.aspx?high=&m=1928916&mpage=1#1928916

I’d like to thank these three guys for posting online and hope they see.

Thanks boys.

Choosing a Delay Pedal

Over the last week or so I’ve been looking into delay pedals.

I’ve tried to way up the options by watching countless youtube videos and read tons of reviews.

Problem is all the pedals I’ve looked at have their own neat little tricks.

I’m also working within a budget so finding the right one that gives me good bang for buck is important but not the be all and end all.

Note some of the players within the following youtube clips have some funny old characteristics, not gonna name any names I’ll let you figure out what I mean.

Prices of these pedals range from £50 upwards.

Some are analog some are digital – in the end the important thing for me is the sound and seeing as I can’t afford to by all them and A/B them(which I really wish I could do) I’ll just show you what I looked at and then at the end of this article state which one I’ve chosen and why.

This article is also a bookmark of sorts for myself as I’ve seen quite a few pedals that I will also be adding to my collection in the future purely down to the added features. I’ll also point these out and why.

So let’s get on with it.

BEHRINGER VM1 Vintage Time Machine

True analogue delay, up to 450ms of organic echo to rival any tape delay, vibrant chorus and mind-bending vibrato, dedicated delay, chorus/vibrato, feedback, mix and level controls for awesome sound shaping, blue status LED for effect on/off and battery check, true hardwired bypass for ultimate signal integrity, includes 9V power supply.

£56 @ Gear 4 Music

£46.46 @ Thomann

EHX – Memory Boy

Brand new Analog Echo/Chorus/Vibrato from Electro-Harmonix, which is set to rival in popularity the classic Deluxe Memory Man, offering new features that the Memory Man doesn’t, besides being more affordable! make sure to click on the video tab to watch the first memory Boy demo!

The Electro-Harmonix Memory Boy is more than a downsized version of Memory Man, as it has an expression pedal input, for much more versatility.

The Memory Boy also has a 2-way switch for modulation wave form (sine / square) and a 3-way switch (chorus / vibrato / exp. pedal)

The other controls are what you’d expect from your usual delay pedal: delay, depth and feedback, besides blend (for the modulation)

With delay effects getting increasing popular amongst musicians of all styles, the Electro-Harmonix Memory Boy is a product that we can safely claim to be unique and to offer outstanding value for money…and did we mention that it’s ANALOG?

Can’t get much better than this…

Features:

  • All analog delay with feedback
  • Up to 550ms delay time
  • Selectable chorus or Vibrato modulation rates
  • Choose between triangle or square modulation waveforms
  • Expression pedal control of delay time or modulation rate (expression pedal extends the range of modulation rate)
  • True bypass
  • Power supply included

£66 @ Dolphin Music

MXR Carbon Copy


The MXR Carbon Copy Analog Delay features a completely analog audio path for the ultimate in rich, warm delay, made possible only by old-school bucket brigade technology. This design boasts an amazing 600ms of delay time with optional modulation via a top-mounted switch and a simple, three-knob layout that controls Delay time, Mix (dry/wet blend), and Regen (delay repeats), all in a pedal no bigger than a Phase 90. In addition, two internal trim pots offer user-adjustable width and rate control of the modulation for even more tonal options. The Carbon Copy will take you from crisp ‘bathroom’ slap echoes to epic, Gilmour-esque delays with a twist of a knob. True hardwire bypass, single 9-volt operation, and stage-ready blue LEDs round out the package. Available only from Dunlop Manufacturing, the world’s leader in analog pedal technology.

MXR, Carbon Copy Anolog Delay Pedal £109 @ Amazon


EHX – Memory Man Harazai


Unbelievable features!  reverse echo, looping, tap tempo delay, and tape echo filter…

It’s a multi-tap delay, its an echo, it’s a reverse echo, it’s a performance looper with tap tempo, and it’s programmable… it’s got all the Hazarai! Designed for the performing musician, the new Stereo Memory Man is destined to be one of the most creative instruments on your pedalboard.

Features:

  • 30 second stereo looper with continuous overdubbing, reverse, speed adjust and tempo only adjust
  • Up to 3 seconds of stereo echo with adjustable reverberant washes
  • Up to 3 seconds of stereo multi-tap delay with adjustable number of taps and taps amplitude envelope
  • Up to 300 mS stereo echo with modulation
  • Up to 3 seconds of intelligent reverse echo
  • Adjustable lowpass or highpass filter available in every mode
  • Ping pong delay when used as mono in to stereo out
  • True stereo outputs
  • Tap tempo footswitch for setting the delay time in every mode
  • 8 user presets to save and recall
  • Tough and compact die-cast chassis
  • power supply included

£131 @ Dolphin Music

Akai E2 Headrush Delay/Loop Pedal

Akai E2 Headrush – delay, tape echo simulations and a looping recorder in one convenient pedal.

As used on stage by KT Tunstall in her amazing solo performances! Click on the link below to watch a video of Katy using the Akai Headrush pedal.

A versatile delay pedal for live use, in particular for guitar and bass players, or vocalists.

The looping recorder function with unlimited overdubs allows elaborate solo performances.

User selectable delay options allow for maximum control of output signal. Real time feedback and gain adjustment as well as echo rate .

HEADRUSH also simulates a 4-head analog tape echo machine with control over decay and spacing between virtual tape heads to create complex multiple delays and repeats. The signal from each virtual head appears on an individual output for multiple returns when used with an external mixing console.

The LOOPING RECORDER mode allows you to record and overdub layer after layer of sound in real-time making the HEADRUSH an unbelievable live performance tool.

Depending upon which mode is selected, the left footswitch controls the on/off and play/stop functions while the right footswitch sets the tap delay time or recording and overdub options. The LED display indicates which effect in use and blinks in time showing the delay time selected

Key Features

  • 16-bit Digital Delay – Delay time from 0.5ms to an astonishing 23.8 seconds maximum
  • Real-time delay control – sets delay time by tapping footswitch twice
  • Tape Echo mode with four individual outputs for each head
  • Looping Recorder with overdub mode – Powerful tool for solo performances
  • Selectable Fixed or Adjustable Loop Level.

Specifications

  • Modes: NORMAL DELAY, TAPE ECHO and LOOPING
  • Resolution: 16bit
  • Sample rate – Normal : 44.1kHz, Extend: 29.4kHz
  • Maximum time Delay: 23.8 seconds
  • Tape Echo: 5.9 seconds
  • Looping: Normal : 23.8 seconds, 11.9 seconds overdub
  • Extend: 35.6 seconds, 17.8 seconds overdub
  • Controls: LEVEL, HF DAMP, FEEDBACK, TIME COARSE/TIME, TIME FINE/HEAD GAP, RATIO
  • Switches: MODE SELECT, LOOP LEVEL, LOOP TIME, Footswitch x 2
  • LEDs: MODE x 3, EFFECT ON/OFF x1, TEMPO x1

£129 @ Gear 4 Music

TC Electronic Nova Repeater

‘no-frills-with-a-sound-that-kills’ delay pedal. It is the pedal for you if you are a demanding guitarist who wants instant, high quality and unique results, without any of the fuss! It features the same great sound quality that made our Nova Delay the first choice delay pedal for Paul Gilbert, Doug Aldrich, Nils Lofgren and Allen Hinds. However after listening to our guitar-playing community we have trimmed out any excess baggage while also including additional features over the Nova Delay, and designed it all behind a streamlined and very easy to use interface. In short Nova Repeater is the essential lean, mean, delay-machine!

Simple yet effective
Nova Repeater is all about simplicity. There are no hidden features or complicated functions – you just get the world’s best delays in a cheap and easy-to-use package. Yet it is also feature rich being the only pedal in its price range that has a dedicated tap tempo switch and our amazing audio tapping technology that lets you set the tempo with your playing. And with six types of TC-quality delays and an unsurpassed feature-set Nova Repeater is quite simply a bargain.

<—-Final Conclusion—->

I’ve decided to opt for the Nova Repeater, reason being it’s less gimicky and seems much more about delay than tricks.

That said the Memory Boy Harazai and especially the Akai Headrush both seem like an awful lot of fun.

The Headrush is definitley on my radar as the next toy/present for me.

When I get the Nova repeater I’ll probably post an audio review with my couple of amps  to show what it can do in the studio as that will be it’s primary use.

The loop based pedals are in my mind much more about performance so that’s why I’ve chosen the  Repeater.

Special Note: I saw this compeletely by random and was blown away – so ok the players are a bit flashy for my style but impressive all the same.

Boss SL-20 Slicer Pedal

Boss SL-20 Slicer Twin Pedal £139 amazon

Instant Audio Adrenaline

Features

Inject a shot of high-octane fuel into your music with the SL-20 Slicer. Instantly transform a guitar, bass, keyboard, or vocal into a pulsating groove instrument. Choose from 50 onboard Slice patterns or experiment with the SL-20’s innovative Harmonic Slicer feature, which generates percussive melodies, Loop Record, and unique 3D Panning.

  • Instant groove and percussive-melody generator
  • 50 Slice patterns onboard, with adjustable attack and duration, including Harmonic Slice
  • Tap Tempo via onboard pedal switch; internal and MIDI sync
  • Sound characteristics such as attack, duration, effect level, and direct level are controllable via external Expression pedal (sold separately)
  • Variety of output modes, including the unique 3D Panning for spacious sliced FX

Electric Guitars £100 – 250 part 1

Vintage VS6 Gloss Black only £119

Vintage VS6 Gloss Black only £119

Vintage VS6 Gloss Black

LIMITED OFFER NOW ONLY £119.00 While stocks last!!

Vintage VS6 Series

  • Body: Mahogany
  • Neck: Mahogany – Set Neck
  • Fingerboard: Rosewood
  • Scale: 24.75″/628mm
  • Frets: 22
  • Neck Inlays: Pearloid Crown  Tuners: Wilkinson® Deluxe WJ44
  • Bridge: Tune-O-Matic with Stop Bar Tailpiece
  • Pickups: Wilkinson® Double Coil x 2 (N)MWVC (B)MWVC
  • Hardware: Chrome (VS6/ VS6B/ LVS6) Gold (VS6CG)
  • Controls: 2 x Volume/ 2 x Tone/ 3-Way Toggle

Vintage VS6 Gloss Black only £119

——————————————->

Squier By Fender Telecaster Custom only £209

Squier By Fender Telecaster Custom, MN, Black – Squier By Fender Telecaster Custom Maple Neck, Black

More Details:
The Tele® Custom is an affordable hybrid of two popular Telecaster® designs. Fusing a ?72 Tele Custom with a Tele Deluxe, this guitar has two high-output humbuckers, a three-way pickup selector switch and independent volume and tone controls. The Squier Tele Custom also features a solid agathis body and bolt-on maple neck with maple fingerboard

Body Agathis
Neck Maple, C-Shape, (Gloss Polyurethane Finish)
Fingerboard Maple, 7.25? Radius (184 mm)
No. of Frets 22 Medium Jumbo Frets
Pickups 2 Chrome Covered Humbucking Pickups (Neck/Bridge)
Controls Volume 1. (Neck Pickup), Tone 1. (Neck Pickup), Volume 2. (Bridge Pickup), Tone 2. (Bridge Pickup)
Pickup Switching 3-Position Toggle: Position 1. Bridge Pickup Position 2. Bridge and Neck Pickups Position 3. Neck Pickup
Bridge 6-Saddle Strings-Thru-Body Tele Bridge
Machine Heads Standard Die-Cast Tuners
Hardware Chrome
Pickguard 3-Ply Black
Scale Length 25.5? (648 mm)
Width at Nut 1.650? (42 mm)
Unique Features Dot Inlays
Strings Fender Super 250L, Nickel Plated Steel, (.009 to .042), p/n 073-0250-003

Squier By Fender Telecaster Custom only £209

———————————————————————–>

Squier Tele Custom II P90 only £189

Squier by Fender Tele Custom II P90 – Black

The Custom II is a super-affordable temple of tone with some tasty Tele tweaks that include a pair of blistering Duncan Designed P-90s with indepedendent tone and volume controls. The agathis body snugs up to an all-maple neck/fretboard with dot inlays, medium-jumbo frets, and a 25-1/2″ scale.

Features

  • Colour: Black
  • Body: Agathis
  • Neck: Maple, C-Shape
  • Fingerboard: Maple, 7.25” Radius (184 mm)
  • Frets: 22 Medium Jumbo Frets
  • Pickups: 2 Duncan-Designed P90-2 Pickups with Alnico 5 Magnets (Neck/Bridge)
  • Controls: 2 Volume, 2 Tone
  • Pickup Switching: 3-Position Toggle
  • Bridge: 6-Saddle Strings-Thru-Body Tele Bridge
  • Machine Heads: Standard Die-Cast Tuners
  • Hardware: Chrome
  • Pickguard: 3-Ply Black
  • Scale Length: 25.5” (648 mm)
  • Unique Features: Dot Inlays
  • Strings: Fender Super 250L, Nickel Plated Steel, (.009 to .042), p/n 073-0250-003

Squier Tele Custom II P90 only £189

——————————————————–>

Yamaha Pacifica 012 Electric Guitar, Black only £159

Yamaha Pacifica 012 Electric Guitar, Black – This Entry level Yamaha electric guitar offers a comprehensive specification, with a quality of craftsmanship and tone that belies its budget price tag.

More Details:

  • Body: Agathis
  • Neck: Bolt-on maple
  • Fingerboard: Sonokeling, 350mm (13.75 ) radius
  • Frets: 22
  • Scale length: 648mm (25.5 )
  • Pickups: Two single-coils, one humbucker
  • Controls: Five-position pickup selector, master volume, master tone
  • Bridge: Vintage-type vibrato

Modelled on the best-selling Pacifica 112, the new, even cheaper 012 has a similarly contoured double-cutaway body, and the firepower of a raunchy bridge-position humbucker plus two clear-toned single-coil pickups. The five-position pickup switch permits selection of those classic in-between sounds, while the vibrato bridge is a well-proven vintage design with six individually adjustable saddles for accurate intonation and a slinky set-up.

For an inexpensive yet high-quality introduction to the world of rock guitar, you ll not find better value than the Pacifica 012.

Yamaha Pacifica 012 Electric Guitar, Black only £159

Boss GT-8 and Fender Champion 600 review 2

Boss GT-8 and Fender Champion 600 audio recordings of some of the odd effects.

Basically mic’d up the Champion as pictured below,

Volume set at,

Fender Telecaster fitted with Seymour Duncan bridge pickup,

Because the Boss GT-8 has a ridiculous amount of effects we decided to record just a selection of what we could.

We used no additonal effects – we’ve also tried to show what the effects can do, in some recordings we’ve gone with the stock settings. In other recordings we’ve tried to showcase what the effect can do.

Autowah

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Chorus

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Tremelo

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Vibrato

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Reverse Delay

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Slicer

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Humanizer

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Harmonist

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Plate Reverb

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Sitar

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Spring Reverb

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Uni V

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.


Warp Delay

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Wave Synth 1

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Wave Synth 2

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Equipment Used:

Microphones – Shure sm57 and sm58.

Mixing Desk – Behringer Xenyx 1622.

Planet Waves guitar cables.

Fender Telecaster(mexican)