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Posts Tagged ‘Software’

Guitar Effects – VST Plugin – FX Software Guitar Rig

These days the amount of software out there for guitarists is pretty mind boggling.

The variety in sound and the varying cost can make it pretty difficult to decide what is right for you and your setup.

There are decisions to make when it comes to choosing what you want.

It cand come down to space, cost and reliability.

The free effects available here are all well and good and most of them are really good.

But they don’t have the power or support that the big boys have – and I’m sorry to say they just can’t compete.

If you’re a novice do you really want to or have the patience to mess around with your pc or would you rather spend money and have an instant, plug and play system?

In these articles I’m going to run through some of the commercial software available, the relative interfaces or alternative interfaces and the idea of using hardware instead.

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Native Instruments – Guitar Rig

Guitar Rig is probably the most well known, and it is expensive but is it? Native Instruments have developed this great software to be practically faultless – lets’ be fair with stuff like this you get what you pay for.

And Guitar Rig is cool – really cool.

And now they’ve taken into account the budget market with their Guitar Rig Mobile.

The nice thing about Guitar Rig is that it has always tried to keep it;s roots with the guitarist by having foot switch controllers. And it works great.

I’ll be honest I’ve only tried the foot rack once before and yeah its good it works, much like most midi based foot pedal switch controllers.

Not really the best judge – I have a rack unit that I use all the time – foot switches tend to break because I’m heavy footed – and if your the same maybe you should give it a miss and stick to the software.

That said it was a while ago that I tried that out – best to get down to your local store and try one out.

As with anything like this you’ve got to investigate what your looking at, make sure it will work on your system.

Read reviews, forums and other articles.

You’re always going to get conflicting views on this kind of thing so it’s best to way up the pros and cons.

And be sensible – do you really need it – do you need both the controller and the software?

Are you looking at just the interface? If so can you cope with just the light version of the software?

Answer these questions before you part with your cash.

Below are some examples of Guitar Rig Products available in the USA and UK

NI GUITAR-RIG-3 Guitar Amp / FX Modeling Software


NI GUITAR-RIG-3 Guitar Amp / FX Modeling Software $299.99 @ Guitar Trader

Complete Software Equipment to Produce High-end Guitar and Bass Tones
Treat your studio to the ultimate solution for creating perfect guitar and bass tones- at an unbeatable price. GUITAR RIG 3 Software Edition contains all the features and functionality of the GUITAR RIG 3 Kontrol Edition, with the exception of the Rig Kontrol foot pedal. Now featuring authentic emulations of 12 amps, 17 guitar and 6 bass cabinets, four rotary speakers, nine microphones and 44 effects – the multi award-winning guitar studio sets the tone for excellence.
Top Features

* Twelve supreme-sounding guitar and bass amps, all perfectly emulated in stunning detail
* New matched cabinet module provides tried and true classic sounds in seconds
* 44 effects: meticulously modelled stomp boxes, distortion and volume pedals, as well as other popular units
* 18 guitar and six bass cabinets, four rotary speakers and nine microphones – all based on popular vintage gear
* Highly flexible, intuitive and easy-to-use “rack“ concept with drag & drop operation
* Intelligent preset management for fast access to a huge selection of ready-to-play sounds for all styles
* Essential tools: Integrated tuner, metronome and two tapedeck modules for easy recording
* Premium special features include a loop machine for on-the-fly jamming, plus modifiers such as LFOs, step sequencers, envelope followers and multi-step envelopes for dynamic signal modulation
* Dedicated “Live View”for instant parameter assignment overview
* Dynamic Tube Response Technology® delivers a profound sonic quality

NI GUITAR-RIG-3-K Guitar Software with Controller $499.99 @ Guitar Trader


NI GUITAR-RIG-3-K Guitar Software with Controller$499 @ Guitar Trader

NI GUITAR-RIG-3-K Guitar Software with Controller £333 @ Dolphin Music

NI GUITAR-RIG-SESSION Software W/ Audio Interface


NI GUITAR-RIG-SESSION Software W/ Audio Interface $199

Native Instruments GUITAR RIG 3 KONTROL Edition Standard


Native Instruments GUITAR RIG 3 KONTROL Edition Standard $399

Native Instruments GUITAR RIG MOBILE Audio Interface


Native Instruments GUITAR RIG MOBILE Audio Interface $99

Native Instruments Guitar Rig Mobile £80

Emu Esi 32

ESi 32 Download Manual

ESI-32 – 1994 Essentially a cost reduction of the EIIIX sampler (EIII software ported to new hardware), this two rack space sampler broke the price barrier for high-quality sampling. Thirty-two voice polyphony, 32MB of RAM and a huge sound library made this E-MU’s best selling sampler of all time.

‘The ESI-32 is an excellent polyphonic sampler for any musician at any level. It offers all of the same sampler-type features and goodies that you would find in other Akai and Roland samplers. Its base model is perfect for anybody looking to get into sample-based music and is designed to grow and expand with you into a complete and professional sampler.’ – Taken from Vintage Synth Explorer

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I own 2 Esi 32′s both are fully loaded with 32meg. And are fantastic.

They sound great, are fun to use and look cool(yeah I know, geek alert)

*Word of warning and some advice; If you intend buying make sure they have at least OS 3.0 installed – scsi transfer from Pc ‘WILL NOT WORK’ – if you have one you will have to buy discs or get scsi disks already loaded worse still pay for an upgrade ouch.

If you can get an Esi4000 or 2000 instead, they are OS 3.0 as standard.

If you want to transfer samples across you’ll also need a scsi card – adaptec seem to work best.

Be prepared though it can be tiresome work at first, and annoying if you don’t save regularly.

Honestly unless you really dig the idea of this, then don’t bother – stick to PC based sample software.

You’ll save money and time.

That said they do sound better than a software based sampler, warmer if that makes any sense.

And there is something very cool about making your own instruments on these things.

Articles about this sampler -

EMU ESI SAMPLERS MASTERCLASS@ Sound On Sound

The Emu Has Landed@Sound On Sound

Software:

ESI Win – PC software that allows connection with scsi drives and sampler*

Chicken Systems Translator – Not very good I’m afraid, works occasionally – supports the Emu like jelly supports a one legged man – I paid for it – not happy with the results. – You’ll see in the articles below I used it – but now I don’t – maybe it’s my pc but it blows 80% of the time.

Wavelab and Recycle(no links available- later versions don’t support scsi transfer) – Luckily for me I had old versions of both these software packages, and they work a treat for transferring samples across. Recyle 2.1 is best though allowing you to edit and place samples in desired locations on sampler. It is slow work but in my opinion worth the hassle.

Another Post On Emu ESI

And Another – Getting Samples into the Esi OS2.1

Recording and Midi

So you’ve decided on your setup, now you need the software to record -

So far I’ve seen two packages available, both are free to use.

Reaper – A multi track audio package – rewired, vst support – midi support.

Reaper (www.cockos.com) – is an outstanding peice of kit – a 64 bit audio engine, with built in effects, multiband eq, compressor, reverb and real time pitch correction.

It has unlimited track capabilities, small download and easy installation.

I’ve used reaper – the only fault I’ve found is a minor gripe – the use of a staff view.

It’s a minor gripe really as there is a piano roll – although pretty basic.

The software is not entirely free – it is shareware – an uncrippled evaluation is there for you to try.

Try it out, if it’s all that you need then pay for it – there are two licenses.

“The normal price for REAPER is $225.00 USD, however for users who wish to use REAPER only for non-commercial use we offer reduced price licensing for $50.00 USD. Upgrades from non-commercial licenses to full (commercial) licenses are available.” – reaper.

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The second piece of software I’ve found came recommended in Computer Music Magazine.

The software is called MU.LAB (www.MUTOOLS.com) – it similar capabilities as reaper but the free version is limited to only 8 tracks.

That said 8 tracks for anyone just starting is more than enough.

If that is not enough MU.LAB unlimited is available at only 39 euros.

Now that is excellent value.

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Both of the packages above are updated frequently and offer support and a forum, sometimes invaluable if you are having problems.

Introduction – Requirements

The basics first.

For a computer based recording system.

A PC – today most PC’s have enough power to run a basic setup.

Onboard sound cards – although not the best setup – are adequate to get started.

Laptops also have this bare minimum requirement.

A useful download to start with is ASIO4ALL – a universal driver for asio and wdm – http://www.asio4all.com/

This will enable a lot of software that requires ASIO drivers, which can be a massive stumbling block.

If you have a small amount of money it is probably best spent on a sound card – if you are serious about going forward.

There are a lot out there which will not break the bank.

If you are just about guitar, M-Audio Jamlab is worth a punt from around £40. A USB device with headphone socket and guitar jack input – easy to setup and ideal for laptops and pc’s. It will alos power and onboard fx and vst instruments very well.

If you looking at something more advanced and wish to record using microphones then the price will go up.

The M-Audio Fast Track is priced from £50 – Fast Track USB has an input for instruments like guitar, bass and keyboards, plus a microphone input for recording vocals or other acoustic sounds. The included GT Player Express software gives you killer effects and virtual stomp boxes so you don’t need any other gear to sound great. GT Player Express also plays standard audio files like AAC, MP3 and WAV that let you learn and jam along with your favorite music at variable speeds. Fast Track USB is the easy and professional way to add guitar, vocals, and more to your computer music experience. – ideal for pc and laptop.

If you are considering a mixing desk and have a pc then try looking at Behringers line of mixers with usb interface -
Behringer XENYX 1204 Premium Mixer
12-Input 2/2-Bus Mixer with XENYX Mic Preamps, British EQs and USB/Audio Interface. at £105.99.

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Firewire or USB? Couln’t answer that to be honest – I’ve used usb interfaces on my laptop – mainly the Jamlab and Behringer and both worked – which in my world is all that’s required – that is not to say they’re perfect. It’s hard to say for definate as everybody’s pc or laptop setup will throw up a problem.

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When spending any amount of money it is worth trawling the net for any info you can on what you intend to buy. Forums can in some cases be helpful – it’s just how you read them – the first answer to a question will not always be helpful – and some just abusive. Take your time and ask around.
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So for anyone looking at this I will describe my soundcard setups.

I have a M-Audio Jamlab for my laptop – it works like a charm – I use my laptop mainly for sketch recording and backing tracks. I used Guitar Rig and lot’s of freeware plugins and all have been handled very well.

I’ve also used it with Sonar and Reaper and seen no problems – I’ve used a lot of frreware plugins and VST Instruments without incident. As for the audio – well a pair of earphones and/or pc speakers are necessary as the sound is outputted from the Jamlab itself – so if you haven’t already got speakers/headphones then you’ll have to invest in those as well.

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My PC setup is a little more complicated and over the years has gotten more intricate.

I started small – Onboard sound and a Yamaha 4-track for input. Yup cheap and dirty – lot’s of hiss. It did the job.

Upgraded sound card to a Audigy – ASIO drivers made the difference in audio quality slightly – to tell the truth – I upgraded for the ASIO drivers – this was about 5 years ago and a lot of audio needed those. What I needed to upgrade was the input stage.

Upgraded from a 4-track to a 2 channel behringer mixer – this had phantom power allowing me to use a condenser mic I bought on ebay for £40. – probably the real start of my studio.

Phantom power is a must for Condenser Mics.

Next upgraded sound card to a M-Audio 2496 – still priced aroun £50-60 and worth every penny – I wouldn’t change now – it’s just what I need – easy to setup and no fuss – it’s PCI so a laptop is out of the question.

I Then upgraded the mixing desk to something a bit bigger – 16 channel. This was for a few reasons mainly my other equipment and probably not necessary for a beginner.
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A Laptop/PC with soundcard is probably as much as you need to start with, as you can see I started billy basic and moved on as I got the money to do so.

The software that I’m going to list in the following articles will all be free/donationware.

All I ask is that you keep your setup to your requirements and get into using the software with the bare minimum to start with and add only what you need as you go on.

If you use the free/donation software and like it – then find a way of supporting that software.

Don’t take it for granted.

VST Compressors – Free to Whoah There

Free:

Kjaerhaus Audio: Classic Compressor, link
Classic Compressor is a classic analog style VST Compressor Plugin with a lot of warmth and punch. Special designed to use on individual Instruments and Vocal, but also useable on your final mixes.

Smooth Compression
Ajustable ratio up to limiting
Ajustable attack and release times
Ajustable knee (hard to soft)
Gain reduction LED
Presets
Ultra low CPU usage
Supports all sampling rates
Full VST automation

1. Split your vocal track into two sub-groups or tracks, depending on your software. Insert a Classic Compressor on both, loading one with the factory preset “Vocal” and the other with “Vocal Definition”. Boost 100Hz and 10kHz about 10dB shelving on the second group or track. Now mix the two together for a very fat and energetic vocal track.

2. Use our Classic Limiter right after the Classic Compressor to catch the peaks during mix down.

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Endorphin – dual-band stereo compressor – link

Two independent frequency bands (low and high frequency processing)

Switchable stereo or M/S mode operation.

Two basic compressor designs:

1. modern vca mode with soft-knee characteristics and manual time constants. This mode provides an instant response behaviour and deep compression, using a feed-forward circuit.

2. Vintage-style opto (photo resistor) mode, modelled after ancient opto-electrical compressors. The time constants stay manually set, but they are also affected by the signal’s energy. This mode has the typical opto-style ‘overshoot’ on quick transients, this is one of the most gentle compressors you may find. Classical feed-back detector circuit.

Adjustable high-level output stage with analog-style saturation.

While you at digitalfishphones.com check out their fish fillets package

This great package contains – (Blockfish)  Compressor, (Spitfish) De Esser and (Floorfish) a Gate/Expander Device.

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Budget:

Voxengo’s range of VST fx are really worth a look at an affordable price,

Prices range from $49.95 for The Crunchessor

- $69.95 for Elephant

- $89.95 for Marquis

Voxengo – Mix Compressors

Voxengo Compressors

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PSPaudioware:

is a collection of five high-resolution, high quality audio processors designed to improve the quality of your digital audio tracks and mixes (VST and RTAS for Windows; AudioUnit, VST and RTAS for MacOSX UniversalBinary). These processors were not modeled on specific hardware analog processors, but rather on the sound and features of many analog circuits, with the goal of designing processors that can assist you in taming the sterility and harshness that often plagues digitally recorded audio. Don’t let the name of this bundle fool you – while we worked hard to develop a plug-in pack that would help your mixes shine, these plug-ins are high enough quality to be at home in mastering or live tracking situations as well. All plug-ins utilize 64-bit double precision floating point algorithms throughout their entire signal path and support sample rates of up to 192kHz. The kit consists of: PSP MixBass2, PSP MixTreble2. PSP MixSaturator2, PSP MixPressor2 and PSP MixGate2

Check Out Mixpack2 – Priced at $199 it’s well worth a looksy