Posts Tagged ‘Recording’
iPad – Music and Guitar. The future is bright!
So it’s been a while since I last posted on here. The reasons are many but of no interest here.
One reason though was the acquisition of an iPad.
First my views on apple products before I took the plunge – shook hands with the devil!
As a PC user I disliked apple products for a few reasons.
The two main ones being Cost &Apparent smugness.
There go the apple users at this point, but hey hold on!
I said apparent smugness, let me quantify.
I play guitar and I teach, all my guitars are of a price range agreeable with my students.
That is to say not one guitar passes the £500 mark.
For me to own priceless gibsons and martins would in my mind be off putting, besides I feel the same way about people who have gibson guitars.
Gibson = apparent smugness.
Yes I know, looks like jealousness to me but it’s not, it’s about access for everyone.
And that is why I love pcs.
When you teach you want your students to feel comfortable and have the best they can afford.
What really is the difference between a squire telecaster and a gibson gold top when you can’t play?
This is also my thinking when it comes to apple macs.
It’s about accessibility, I could afford a mac now but would it be the right thing to do?
I teach recording and programming as well and lets face it almost everyone has access to a laptop or desktop.
The apparent smugness left apple for me when the iPhone came out, oh it was there at the beginning in my mind because it was new and I was stuck with my blackberry.
But the iPhone fascinated me, the apps I heard where amazing.
Dammit I had access too!
I had friends and students showing me, and that feeling of apple smugness left.
I became jealous and intrigued.
But I still resisted, why?
Blackberry!
Yes you read that right.
Blackberry was central to my business, the fact I could get email instantly was of utmost importance to me business wise.
But Blackberry was losing it’s grip.
The apps are business orientated and clunky.
But worse still Blackberrys crash, a lot, a real lot.
Also their business use became difficult and time consuming.
Using vista or windows 7 meant even more difficulty.
And they crash.
A lot.
Labouring the point?
I think I must, and here is why and how I became an apple fan and on the road to buying an iPad.
After 16 months of my contract using my Blackberry Touch 2 something happened.
Halfway through a phone call my phone died.
I was on the phone to a student who had missed a lesson and then had called me to apologise.
At a crucial point in the conversation the phone died, just went into spin mode and then stopped.
It looked like I’d hung up.
I panicked, I was out at the time and had no access to a pc.
Now ok this could happen to an iPhone, the battery could die mid conversation but this wasn’t the battery, this was the blackberry just giving up on me.
Fortunately when I got home I could access my pc and get the phone number of said student and call back, luckily for me he understood but the damage could have been done.
And it had, for me Blackberry was dead.
So my choice had to be made, I needed a new phone.
Do I go Android or iPhone?
I’d seen both, the iPhone 4 had been out a while and seemed to be the stronger choice.
Decent battery, well compared to the Blackberry it is.
The best apps?
It seemed so. I’d had the use of an Android tablet and wasn’t overly impressed.
So iPhone it was.
And there it was, I was in love.
It worked, it worked well.
It did everything a blackberry did but better, it has never crashed, the apps are awesome, It can play music, it connects to wifi all day and I still get a days usage out of it.
And that was the start of it.
My head was turned but was it enough to buy an iPad?
The iPad for me was a gadget, something that smug business men pulled out on trains and waved at people lugging laptops around.
It seemed too far, but my curiosity had been fed by my iPhone.
I knew about the music software and had been instantly envious but could not bring myself to buy a £400+ gadget.
Then came the call from my phone provider.
A special offer.
For loyal users.
A 3G iPad 2.
Resistance is futile(Internet geekery? Never watched start trek!)
The iPad 2 – feels like at this moment we need some music, revelatory music, or a big light bulb turning on.
The last 8 months has opened up with the iPad 2
I’m a fan, a massive fan, a massive smug wave it at people with laptops fan.
I even have apple tv, I have a subscription to iTunes match, I’ve bought an iPod touch, I even contemplated buying a second iPad and now I’m waiting for the iPad 3.
I sold my laptop! (bit over the top and something I regret in hindsight)
The iPad 2 is a very important part of my business now.
For me as a guitar teacher it has given me a greater workflow.
I can write guitar solos out using a great software package called Progression. It’s hands on, no mouse! From a working fast point of view it’s hard to explain how damn satisfying that is.
I can write out song sheets with chords and strum using a griffin stylus(£10) and a software package called Notepad. Again no mouse or having to painfully use a graphics tablet.
The calendar, the email, the contacts, the reminders need I go on?
GarageBand and Notion my two favourite apps.
AC-7 Core – control your pc daw – a wifi midi controller, amazing.
iBooks!
Internet browsing.
And it never crashes,
Sometimes an app will but I’ve found that to be rare.
It’s fast.
And it’s silent.
I will be looking at the music and guitar apps in more detail in the future.
And I apologise for the ramble but needed it out of my system.
Long live the iPad!
Mini Disc to MP3 Transfer
Unfortunately this tutorial does not use usb to transfer minidisc to pc but rather uses digital transfer.
As a musician who threw his lot in with Mini disc when they first came out I have lots of old recordings that I would like to be able to transfer to mp3.
Archiving my old recordings is for me something I’ve wanted to do for some time.
Recently I acquired a used Sony MDS-JB930 * and decided that I would finally bite the bullet.
*for the princely sum of £50
Tools you’ll need:
Mini Disc player with Digital output.
The above images show the two different types of connector.
The one I’ve chosen to use is the ‘Optical Digital’ output as this is the most common connector for standard pc audio interfaces.
Although I do have the option of using the ‘Coaxial’ connector due to having an M-Audio 2496 audio card.
Luckily I also have onboard sound which has the choice of ‘Optical Digital’.
You will also need some software:
Audacity or Wavosaur will both do you.
For this I used Wavosaur – > Tutorial on Export Wav to Mp3
Thats if you don’t already have them.
Before you hit that stage we need to record them to pc as wav files which you can then split.
The software to split them is called CDwav – Link
This is a free software program that auto finds the splits in your wav to save time.
It is uncrippled but for the sake of $15 it’s worth purchasing to keep these cool bits of software running.
So let’s start:
First you’ll need your connecting lead.
This is the toslink cable required.
As already stated you will need a sound card or audio interface that can take this kind of input.
With everthing ready you can start
1. Connect the output of your Minidisk to the input of your Audio card.
2. If you have more than one audio interface change to the one you intend to use via control panel-sound
3. Fire up your audio software and press record and press play on MiniDisk – make sure your signal is coming through – if it is go to step 4. if not then check connections and sound card settings.
4. Start a new file if needed and press record – now press play on mini disk.
5. Grab a brew, book, dvd etc and let mini disk finish.
6. Once file has finished recording save as a memorable name in a folder of it’s own. This is important for keeping your files organised.
7. Now start up CDwave.
8. Locate file and open.
9. Goto menu – SPLIT choose auto split and then SAVE FILE for the sake of keeping things organised you can then save these in the same folder – they will automatically be named as you’ll see once completed.
There may be lots of empty wav files – these you can delete.
10. You can then open each file and save with new names as mp3s or you can do a batch convert and rename aftewards adding tags as you please.
For batch convert using wavosaur please read this tutorial link
Hope that works for you.
Cheers for reading.
BWM 5 watt Chimp – Audio Review
A few weeks ago my old band mate and best man came around with his spanking new aquisition.
A big white monkey 5 watt Chimp – Link
It is of course an valve amp and not an electrified furry beast looking for tarzan.
Anyway a couple of days we decided to get the thing set up and recorded much in the same way I recorded my Fender Champion a day earlier.
From their website:
‘We started off modifying guitar amps as a project—trying to get the sound and feel we wanted from amps already out there. The Fenders, Epi’s and others gave a great sound, but just didn’t have what we were looking for. So we went back to the drawing board and designed our own. We came up with mods you won’t find on any other amp, which help get the tone and sound we wanted. ‘
Getting any info on the Chimp is quite difficult to be honest – there’s plenty of it there on the website but it’s all very technical and a guitar smacker like myself can’t be arsed reading, I want to hear the bugger.
So that’s what we did and we recorded it for reference.
Equipment list:
Fender Telecaster(mexican) with single coil seymour duncan bridge pickup.
Planet Waves guitar leads.
Behringer Xenyx 1622FX mixing desk.
Let’s get started…
Amp settings below,
Mic placement as in the three images below,
From the pictures above you’ll see that the amp has been placed on a cusioned stool about 9-12 inches from the floor.
Two dynamic mics have been placed directly in front on the cone.
These are a sm57 and a sm58 as stated earlier.
Each recording has been recorded in three states with three different pickup selections.
Clean, Single Muff and double muff – for each variant Guitar Toggle Down, Middle then Up.
Tones and Volumes on guitar are on full.
Warning you may hear some jibba jabba as this recording setup had two people involved.
Chris is playing on these recordings.
Recording 1: Open Chords
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Recording 2: Palm Muting and Power Chords
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Recording 3: Lead
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Recording 4: Funk
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Hope you likey.
Fender Champion 600 – Review
Before I start I have to point out that I’m reviewing this amp with sound as opposed to using descriptive terms.
I’ll let you be the judge.
My opinion is that this is a great amp for the money.
Prices vary between £125 and £140 dependant on where you purchase.
Usual blurb product blurb: Scroll past to get to audio
The Fender Champion 600 is a fun and affordable tribute to a rare and historic Fender amp.
The Fender Champion 600 is a 5-watt tube amp with a 6” speaker and 1950 “two-tone” looks. We added a higher-gain preamp circuit to let the overdriven tone exceed that of the original, and we added a choice of high- or low-gain inputs. Internal speaker jack enables use of a larger speaker cabinet.
Fender Champion 600 main features include:
- Type: TUBE AMPLIFIER
- Output: 5 watts
- Ohms: 4 ohms
- Speakers: One 6″, 4-ohm Special Design driver with ceramic magnet (0073904000)
- Channels: Two (Instrument and Microphone)
- Tube Preamp and Tube Power Amp (One 12AX7 tube; One 6V6 tube).
- 5 watts into a 6″ Special Design speaker.
- High-gain and low-gain inputs; hotter preamp circuit than the 1950 original for warm natural overdrive when turned up.
- Single volume control.
- External speaker output.
- Brown and blonde vinyl covering; vintage-correct 1950 “two-tone” cosmetics.
- Leather strap handle.
- Red jewel pilot light.
- Controls Volume
- Weight 15 lbs. (7 kg)
- Dimensions Height: 11″ (28 cm), Width: 12″ (31 cm), Depth: 7.5″ (19 cm)
- Tube Complement 1-12AX7A, 1-6V6 (diode rectifier
The recording of these audio examples was done with two shure dynamic mics – I’m experimenting at the moment so bare with me.
I’ve used an sm57 and an sm58.
Like I said I’ve moved these around until I was reasonably happy.
Amp has been placed off the ground on a very small stool and in the centre of the room – my house is open plan.
I’ve played using a Fender Telecaster (mexican) fitted with a Seymour Duncan at the bridge.
As you can see I’ve got the Tele going through an Electro Harmonix double muff.
I’ve set the Fender Champions amp volume to between 6 and 7.
Other equipment used for reference,
behringer 1622fx, standard XLR mic cables and Planet Waves guitar cables.
Recorded to PC using Sonar.
No fx or processing used.
Each audio example has been played three times:
Pedal State:
Clean(bypass) -> Single Muff on -> double muff on.
Guitar: for each pedal state.
Toggle switch down -> middle -> up.
First Example: Open Chords
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Second Example: Funky
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Example Three: Palm Mute and Power Chords
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Finally Example Four: Lead
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—->
Hope you enjoyed my hacking, note: you may if wearing headphones notice that the amp has quite a strong hum.
When you’re playing it’s not that big a deal and if recording it is only really apparent when listening on headphones.
Listening through my monitors it doesn’t seem that much of a problem.
When I record my next song using this amp I’ll report on how the hum affects the track.
Until then.
Enjoy.
Sonar Tips and Tricks: Sidechaining
<–Sonar and Sidechaining–>
For this article I’ve used the free sidechain vst plugin created by slim slow slider download: here
Sonar 7 upwards supports multi-input plug-ins, typically sidechain plug-ins.
Sidechain plugins are VST effects that have two inputs, a main input and a sidechain input.
When a VST sidechain effect is inserted in the FX bin the sidechain capability is detected.
A virtual output is then created for each of the inputs the sidechaining effect has.
Audio tracks, Bus Outouts and Send outputs can be now routed to sidechain inputs.
–>Sidechaining<–
Sidechaining is usually used with compressors to limit one signal by using the signal level of another.
Common uses of sidechaining are to reduce the level of a bass guitar when there is a kick drum, or to reduce the level of music whenever a DJ/Announcer talks (also called ducking).
Again there’s a multitude of uses and as with everything on this site experimentation is recommended.
Try recording two tracks, one a kick drum the other a bass track.
1. Insert the sidechaining effect you have on track one, the kick.
2. Now route the output of track 2 from ‘Master’ to the new virtual output,
Now it’s just a matter of learning how the effect works, go extreme with your settings and listen.
A couple of things to look at, the signal of the kick will disappear when you route it across.
You can use ‘keyvolume’ knob to bring that signal back in.
Instead I tend to introduce/add a new ‘send’ on the kick track – I then route that to the master bus.
Right Click on the track properties, insert send and look for master.
Then click ‘post’ for the signal to be sent. You can change the amount being sent by adjusting the ‘post’ volume.
Be careful not to blow your speakers or ears, but experiment.
Experience has taught me that the only way to learn this stuff is to mess around with it and see what it does.
<–Bouncing Audio with Sidechain Plug-ins–>
In order to render a sidechain input as part of a mix when bouncing audio, you must select all tracks that contribute to the sidechain input.
–>Freeze and Sidechain Inputs<–
Freeze does not work with the sidechain inputs because Freeze only works on a single audio track at a time.
To mix down sidechain inputs, use the ‘bounce’ command with all sidechain sources selected in the mix.
Try this on youtube: It’s using Logic but the principles are the same:
SONAR 7 includes the following plug-ins that support sidechaining:
Sonitus Compressor
Sonitus Gate
Vintage Channel VC-64 (Producer Edition only)
Sidechaining Signal Flow





















