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Posts Tagged ‘effects’
Marshall JH-1 ‘The Jackhammer’ Test
Marshall JH-1 ‘The jackhammer’ – Review and Test.
The Jackhammer is a funny pedal, the controls are fiddly and the Distortion is hopeless but the overdrive is very usable indeed.
I picked mine up on ebay for a very good price. Therefore this review and test is based on the price I paid which was under £20.
Like I said the controls are fiddly, the contour and freq control are really hard to seperate so when you turn the Contour knob the Freq knob turns also.
The Distortion is terrible, I A/B’d it with a few other distortions I have and no matter how much fiddling I did it just didn’t come anywhere near to what I wanted.
That said the Overdrive is better than I expected especially when you take the dismal Distortion into account.
It’s got a very AC/DC vibe about it, it allows you to get some really crunchy sounds and sounds excellent on open chords with the right settings.
Getting the settings is the problem, too many knobs in a very small space and they’re stacked.
The Gain knob is onto of the Volume Knob, the Treble sits on the Bass Knob and the Freq sits above the the Contour.
After some messing I managed to get a sound that suited my Fender Champion and then just used the Gain to dial in more overdrive and it works very nicely.
I have a few different distortions and usually find a good setting and leave them using the guitars volume and tones to alter the sound.
If you’re looking for a distortion/overdrive you can dial different sounds in then it may be an idea to look elsewhere.
If you’re looking for a very usable Overdrive and are willing to fiddle with it then this maybe the pedal for you.
Check out the video below, it’s recorded using a Fender Champion, Fender Telecaster with the toggle switch on the bridge pickup and it’s been recorded using a T-Bone MB75 and not an sm57 as stated in the video.
Sound: 7/10 for the overdrive 2/10 for the distortion
Usability: Too twiddly and trying to do too much on a small box, 4/10
Free VST mono plugins – Monitor your mix in mono
Looking to monitor your mix in mono?
Throw one of these vst plugins on your master bus.
These VSTs will convert stereo to mono and more besides.
DFX – Monomaker
Monomaker is a simple mono-merging and stereo-recentering utility. You can use it to progressively mix down a stereo signal to mono and you can use it for equal power, center-shifting pans.
Get it here – >>> You’ll have to scroll down page
BetaBugs – Moneo
Moneo - is a stereo plug-in which treats each channel as a separate monaural source. Each channel may then have its volume attenuated, its position in the stereo field panned, and its sonic character altered with a resonant lowor high-pass filter if you so choose. Moneo is equally comfortable with basic functionality (forcing mono) or inventive destruction of a source’s original spatial and spectral identity!
Get it here – you’ll have to scroll down page
Kelly Industries – Stereo Tools VST Plug-in
Overveiw
The Stereo Tools VST Plug-in is a simple to use utility plug-in that allows you to pan or position both the left and right channels independently of one another. This is a 2 input and 2 output plug-in. It works well for stereo files that you don’t want to have to convert to mono or if you want to fix a problem with the stereo file. For instance with the Stereo Tools plug-in you can MUTE one side of the file and then pan or position the other side to the center. You can then pan this file using the Nuendo or Cubase panner. You can also use the plug-in to remove the center information (voice remover), as well as sum both the left and right channels together. You can also work with files in the Mid/Side format.
Behringer VD-1 Vintage Distortion Pedal review
Below is a test of the Behringer Vintage Distortion – The VD-1.
I really like this cheapo pedal, it looks like a brick and sounds like a ton of bricks.
If you’re looking for a cool budget distortion then this in my humble opinion is it.
It’s very light when handled.
Bit of blurb below,
Behringer Vintage Distortion
Vintage Distortion at your feet—from screaming loud to whisper soft!
Here’s an authentic, classic distortion effect—the warm and emotive tone that has ruled rock for the last 30 years. With the dedicated Sustain control, your guitar will learn how to scream! You get a status LED for effect On/Off and battery check, and there is a true hard-wire bypass for ultimate in signal integrity. The VD1 runs on a 9 V battery or a DC power supply (not included).
The VD1 Vintage Distortion is an excellent and affordable alternative to the Electro Harmonix big muff, providing a meaty, dirty fuzz like in the good old days. Versatile, dirty and great value-for-money!
First Audio is a recording with Sustain cranked to full as seen in above image.
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Second Audio example is a recording with Sustain set half way as seen in above image.
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Recording scenario, mic’s placed as in image below.
Amp set on stool, 9-12 inches above floor in centre of large room.
Amp is a Fender Champion 600 5 watt valve amp.
Volume set as pictured below,
All guitar recorded playing a Fender Telecaster fitted with a seymour duncan bridge pickup.
Audio has not been processed.
Microphones are a Shure sm58 and sm57.
Pre-Amp used is the Behringer 1622 Xenyx built in pre-amps.
Guitar leads are by Planet Waves.
Enjoy!
Tags: budget, champion, distortion, effects, fender, fuzz, FX, guitar, pedals, telecaster | 
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Boss GT-8 and Fender Champion 600 review 1
Boss GT-8 and Fender Champion 600 audio recordings of Distortions and Overdrives.
Basically mic’d up the Champion as pictured below,
Volume set at,
Fender Telecaster fitted with Seymour Duncan bridge pickup,
Because the Boss GT-8 has a ridiculous amount of effects we decided to record just a selection of what we could without messing with the settings.
We used no reverb, compression or delay just Distortion or Overdrive.
The playing got a little bit silly please have a sense of humour when listening and bear in mind that I am promarily a punk and country style guitarist.
OD1
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60′s Muff
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Muff Fuzz
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Oct Fuzz
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Distortion
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Heavy Metal
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Metal Zone
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Equipment Used:
Microphones – Shure sm57 and sm58.
Mixing Desk – Behringer Xenyx 1622.
Planet Waves guitar cables.
Fender Telecaster(mexican)
Free Pitch Corrector and Autotune VST effect
Again Computer Music Magazine comes up trumps finding excellent new VST plugins.
This time they’ve found g200kg’s Pitch Corrector/Autotune ‘KeroVee’
‘KeroVee is a PitchCorrection plugin that works as a VST effect. You need to use KeroVee.dll with your VST compatible host application. ex) Cubase, Sonar,…
KeroVee is focused to so-called ‘Autotune effect’, that is robotic but different from the vocoder. KeroVee can mix two independent transposed outputs of pitch-corrector and bypassed output.’
Get it here