Posts Tagged ‘amp’
Boss GT-8 and Fender Champion 600 review 2
Boss GT-8 and Fender Champion 600 audio recordings of some of the odd effects.
Basically mic’d up the Champion as pictured below,
Volume set at,
Fender Telecaster fitted with Seymour Duncan bridge pickup,
Because the Boss GT-8 has a ridiculous amount of effects we decided to record just a selection of what we could.
We used no additonal effects – we’ve also tried to show what the effects can do, in some recordings we’ve gone with the stock settings. In other recordings we’ve tried to showcase what the effect can do.
Autowah
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Chorus
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Tremelo
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Vibrato
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Reverse Delay
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Slicer
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Humanizer
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Harmonist
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Plate Reverb
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Sitar
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Spring Reverb
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Uni V
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Warp Delay
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Wave Synth 1
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Wave Synth 2
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Equipment Used:
Microphones – Shure sm57 and sm58.
Mixing Desk – Behringer Xenyx 1622.
Planet Waves guitar cables.
Fender Telecaster(mexican)
Boss GT-8 and BWM 5 watt Chimp amp review
Boss GT-8 selection of Distortions and Overdrives and a big white monkey 5 watt Chimp amp.
Below are recordings of some of the more famous effects.
Basically mic’d up the Chimp as pictured below,
Volume set at,
Fender Telecaster fitted with Seymour Duncan bridge pickup,
(Amp shown in picture below is Fender Champion 600)
Again because the Boss GT-8 has a ridiculous amount of effects we decided to record just a selection of what we could without messing with the settings.
We used no reverb, compression or delay just Distortion or Overdrive.
The playing on these records veers from sensible to half arsed clownshoes style stunt guitar.
Please engage your sense of humour when listening.
OD1
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60′s Muff
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Muff Fuzz
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Oct Fuzz
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Distortion
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Heavy Metal
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Metal Zone
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Equipment Used:
Microphones – Shure sm57 and sm58.
Mixing Desk – Behringer Xenyx 1622.
Planet Waves guitar cables.
Fender Telecaster(mexican)
Boss GT-8 and Fender Champion 600 review 1
Boss GT-8 and Fender Champion 600 audio recordings of Distortions and Overdrives.
Basically mic’d up the Champion as pictured below,
Volume set at,
Fender Telecaster fitted with Seymour Duncan bridge pickup,
Because the Boss GT-8 has a ridiculous amount of effects we decided to record just a selection of what we could without messing with the settings.
We used no reverb, compression or delay just Distortion or Overdrive.
The playing got a little bit silly please have a sense of humour when listening and bear in mind that I am promarily a punk and country style guitarist.
OD1
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60′s Muff
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Muff Fuzz
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Oct Fuzz
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Distortion
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Heavy Metal
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Metal Zone
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Equipment Used:
Microphones – Shure sm57 and sm58.
Mixing Desk – Behringer Xenyx 1622.
Planet Waves guitar cables.
Fender Telecaster(mexican)
Fender Champion 600 – Review
Before I start I have to point out that I’m reviewing this amp with sound as opposed to using descriptive terms.
I’ll let you be the judge.
My opinion is that this is a great amp for the money.
Prices vary between £125 and £140 dependant on where you purchase.
Usual blurb product blurb: Scroll past to get to audio
The Fender Champion 600 is a fun and affordable tribute to a rare and historic Fender amp.
The Fender Champion 600 is a 5-watt tube amp with a 6” speaker and 1950 “two-tone” looks. We added a higher-gain preamp circuit to let the overdriven tone exceed that of the original, and we added a choice of high- or low-gain inputs. Internal speaker jack enables use of a larger speaker cabinet.
Fender Champion 600 main features include:
- Type: TUBE AMPLIFIER
- Output: 5 watts
- Ohms: 4 ohms
- Speakers: One 6″, 4-ohm Special Design driver with ceramic magnet (0073904000)
- Channels: Two (Instrument and Microphone)
- Tube Preamp and Tube Power Amp (One 12AX7 tube; One 6V6 tube).
- 5 watts into a 6″ Special Design speaker.
- High-gain and low-gain inputs; hotter preamp circuit than the 1950 original for warm natural overdrive when turned up.
- Single volume control.
- External speaker output.
- Brown and blonde vinyl covering; vintage-correct 1950 “two-tone” cosmetics.
- Leather strap handle.
- Red jewel pilot light.
- Controls Volume
- Weight 15 lbs. (7 kg)
- Dimensions Height: 11″ (28 cm), Width: 12″ (31 cm), Depth: 7.5″ (19 cm)
- Tube Complement 1-12AX7A, 1-6V6 (diode rectifier
The recording of these audio examples was done with two shure dynamic mics – I’m experimenting at the moment so bare with me.
I’ve used an sm57 and an sm58.
Like I said I’ve moved these around until I was reasonably happy.
Amp has been placed off the ground on a very small stool and in the centre of the room – my house is open plan.
I’ve played using a Fender Telecaster (mexican) fitted with a Seymour Duncan at the bridge.
As you can see I’ve got the Tele going through an Electro Harmonix double muff.
I’ve set the Fender Champions amp volume to between 6 and 7.
Other equipment used for reference,
behringer 1622fx, standard XLR mic cables and Planet Waves guitar cables.
Recorded to PC using Sonar.
No fx or processing used.
Each audio example has been played three times:
Pedal State:
Clean(bypass) -> Single Muff on -> double muff on.
Guitar: for each pedal state.
Toggle switch down -> middle -> up.
First Example: Open Chords
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Second Example: Funky
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Example Three: Palm Mute and Power Chords
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Finally Example Four: Lead
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—->
Hope you enjoyed my hacking, note: you may if wearing headphones notice that the amp has quite a strong hum.
When you’re playing it’s not that big a deal and if recording it is only really apparent when listening on headphones.
Listening through my monitors it doesn’t seem that much of a problem.
When I record my next song using this amp I’ll report on how the hum affects the track.
Until then.
Enjoy.
Qamp Free Distortion and Feedback VST Plugin
Qamp from ConcreteFX
Qamp is a amp simulation VST plugin,
Amp distortion with speaker simulation, feedback and EQ.

Controls are
Tone – tone of pre-amp
Emp – emphasis of pre-amp
Boost – Pre-amp boost
Sat – Saturation of pre-amp
Syn – Pre-amp rectification
Wave – Wavetype
Len – Feed len
Feed – Feed vol
Width – Feed width
Speed – Feed speed
Filter – Feed filter
Model – type of amp simulation
Boost – amp simulation boost
Sat – amp simulation saturation
Sym – amp simulation rectification
Low – low band eq volume
Mid – mid band eq volume
Hi – high band eq volume
Volume – main volume














