Posts Tagged ‘fender’

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Boss GT-8 and Fender Champion 600 review 2

Boss GT-8 and Fender Champion 600 audio recordings of some of the odd effects.

Basically mic’d up the Champion as pictured below,

Volume set at,

Fender Telecaster fitted with Seymour Duncan bridge pickup,

Because the Boss GT-8 has a ridiculous amount of effects we decided to record just a selection of what we could.

We used no additonal effects – we’ve also tried to show what the effects can do, in some recordings we’ve gone with the stock settings. In other recordings we’ve tried to showcase what the effect can do.

Autowah

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Chorus

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Tremelo

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Vibrato

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Reverse Delay

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Slicer

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Humanizer

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Harmonist

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Plate Reverb

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Sitar

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Spring Reverb

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Uni V

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Warp Delay

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Wave Synth 1

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Wave Synth 2

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Equipment Used:

Microphones – Shure SM57 and SM58.

Mixing Desk – Behringer Xenyx 1622.

Planet Waves guitar cables.

Fender Telecaster(mexican)

Related Reading:

Electro Harmonix Octave Multiplexer Review

Electro Harmonix – Octave Multiplexer Analog Sub-Octave Generator audio review,
Get down! Generates deep, phat bass tones one octave below the notes you play. Two separate smoothing filters enable you to tailor your sub-octave signal to the exact bass sound you desire, separating the Octave Multiplexer from other octave devices. Run your vocals through it and sound just like Ike Turner. This is a monophonic device and works only on single notes.
Test scenario:
Shure Sm57 and Sm58 placed in front of Fender Champion 600 amp as seen below,
Amp as usual placed on cushioned stool 9-12 inches off floor and in the centre of a large room.
Pre-Amps used are Behringer 1622FX Xenyx built pre-amps.
Guitar is a Mexican Fender Telecaster fitted with Seymour Duncan bridge pickup.
Guitar leads used are Planet Waves.
To accentuate effect a Electro Harmonix Double Muff has been used set on Single muff and set as pictured,
Volume on amp is as below,
Audio examples below,
Example 1:

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Example 2:

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Example 3:

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Example 4:

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Example 5:

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Example 6:

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Example 7:

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Example 8:

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Behringer VD-1 Vintage Distortion Pedal review

Below is a test of the Behringer Vintage Distortion – The VD-1.

I really like this cheapo pedal, it looks like a brick and sounds like a ton of bricks.

If you’re looking for a cool budget distortion then this in my humble opinion is it.

It’s very light when handled.

Bit of blurb below,

Behringer Vintage Distortion


Vintage distortion at your feet—from screaming loud to whisper soft!

Here’s an authentic, classic distortion effect—the warm and emotive tone that has ruled rock for the last 30 years. With the dedicated Sustain control, your guitar will learn how to scream! You get a status LED for effect On/Off and battery check, and there is a true hard-wire bypass for ultimate in signal integrity. The VD1 runs on a 9 V battery or a DC power supply (not included).

The VD1 Vintage Distortion is an excellent and affordable alternative to the Electro Harmonix Big Muff, providing a meaty, dirty fuzz like in the good old days. Versatile, dirty and great value-for-money!

First Audio is a recording with Sustain cranked to full as seen in above image.

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Second Audio example is a recording with Sustain set half way as seen in above image.

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Recording scenario, mic’s placed as in  image below.

Amp set on stool, 9-12 inches above floor in centre of large room.

Amp is a Fender Champion 600 5 watt valve amp.

Volume set as pictured below,

All guitar recorded playing a Fender Telecaster fitted with a seymour duncan bridge pickup.

Audio has not been processed.

Microphones are a Shure SM58 and SM57.

Pre-Amp used is the Behringer 1622 Xenyx built in pre-amps.

Guitar leads are by Planet Waves.

Enjoy!

Related Reading:

Electro Harmonix – Pulsar Audio Review

One of my all time favourite effects is the Tremelo effect, it’s very cool.
A few months I decided to dispense with my trusty Behringer guitar rack unit and get back into seperates.
The benefits are better control, less reliance on presets – hell it’s fun as well as getting some awesome sounds.
My favourite pedals have always been Electro Harmonix – they just sound so good.
Anyway this audio review is of the EHX Pulsar Variable Shape Analog Tremolo.
‘The Stereo Pulsar generates vintage tremolo and panning that will fill any venue with rhythmic stereo energy. Its Wave Form switch allows you to change the modulation from triangle to square form. The Wave Shape control allows you to control transitions from negative to positive saw tooth or adjust pulse width. This all means you can create any type of stereo tremolo from pure vintage to ones never heard before.’
Recordings have been made in the same recording scenario as previous recordings.
Fender Champion 600 Amp, Fender Telecaster fitted with Seymour Duncan bridge pickup.
Mic placement as pictured below,
Volume settings as below,
Amp placed on Stool at a height of between 9 and 12 inches from the floor – stool is in the middle of the room and the room is open plan.
Mic’s are Shure SM57 and SM58.
We’ve recorded a selection of settings to give an idea of how the pedal soounds.
To boost the signal a little we used it with the Double Muff pedal on single muff setting.
Each example will be preceded with a photo of the pedals settings.
Example 1: Shape switch to Saw

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Example 2: Shape switch to Square

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Example 3: Shape switch to Saw

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Example 4: Shape switch to Square

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Example 5: Shape switch to Saw

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Example 6: Shape switch to Square

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Boss GT-8 and Fender Champion 600 review 1

Boss GT-8 and Fender Champion 600 audio recordings of Distortions and Overdrives.

Basically mic’d up the Champion as pictured below,

Volume set at,

Fender Telecaster fitted with Seymour Duncan bridge pickup,

Because the Boss GT-8 has a ridiculous amount of effects we decided to record just a selection of what we could without messing with the settings.

We used no reverb, compression or delay just Distortion or Overdrive.

The playing got a little bit silly please have a sense of humour when listening and bear in mind that I am promarily a punk and country style guitarist.

OD1

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60′s Muff

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Muff Fuzz

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Oct Fuzz

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Distortion

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Heavy Metal

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Metal Zone

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Equipment Used:

Microphones – Shure SM57 and SM58.

Mixing Desk – Behringer Xenyx 1622.

Planet Waves guitar cables.

Fender Telecaster(mexican)

Related Reading:

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